Then the feeling moves on. It does not collapse; it is not whisked away. It simply moves on, like a train that stops at a small country station, stands for a while, and then continues out of sight.
The Hours (Michael Cunningham)
Then the feeling moves on. It does not collapse; it is not whisked away. It simply moves on, like a train that stops at a small country station, stands for a while, and then continues out of sight.
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